Race to the Bottom

Over the last month or so I’ve been getting hits a’plenty from people who are clicking on a link to Baby Got Books that is included in an anti-Obama viral e-mail (for that whole story, see this post).  As I’ve indicated, that entire e-mail is total bullshit.  But it doesn’t stop it from getting posted everywhere.

A few examples of where this e-mail has been posted:

These are juts a handful of the posts that contain the link back here.  Some people have had the good sense to delete the links and just stick with the text.  A Google search will lead you to about 1000 more instances. The rhetoric in these postings – on both sides of the issue – makes me sad for all of us.  Is it wrong – or terribly naive – to expect something like civil discourse?  Where are all of the adults?

Happy Birthday EcoLibris

EcoLibris, the eco do-gooders that will balance balance out your stack of books by planting trees, has turned one.  They have planted over 65,000 trees to date, which offsets about 50,000 books. Cool.  And nice work.

Again with the Southern Literature

It dawned on me recently that I might be the only person in America over the age of fifteen who hasn’t read Harper Lee’s To Kill a Mockingbird.   Sure, I know the names Scout, and Atticus Finch, and even Boo Radley (who lent his name to a great British band of the 1990′s).  But I hadn’t read the book, and I hadn’t seen the movie.  But we had a copy on our bookshelf, and my wife recently re-read it and seemed to enjoy it.  So I decided to give it a shot.

It is absolutely a coincidence that I had just finished Toney Earley’s Jim the Boy, also a book that centered on a young southerner during the Great Depression.  If I didn’t know better, I’d suspect that’s my new favorite sub-genre.  But it really was a coincidence.  Not to say, though, that as I read To Kill a Mockingbird, Jim the Boy wasn’t clearly in the front of my mind, and that I couldn’t help but look for similarities and differences between the two.  And overall, while both are great books, I can’t say that there’s a whole lot of similarity between them; Lee’s and Earley’s writing styles are very different, the books were written forty-some years apart, and the stories they tell are drastically different.  Certain themes are definitely present in both: racism, rural poverty, and other blights that haunted this country at that time.  And both mention “haints”, a word that I had never seen or heard before and had to look up (it basically means a ghost).

But while Jim the Boy is simply a captivating and engaging tale of one year in one boy’s life, To Kill a Mockingbird is really a deeper story about how these negative elements manifested themselves in the South at that time.  I have to admit that I almost gave up on this book because the first half of it was pretty uneventful.  I’m not a particularly patient reader, and Lee certainly takes her sweet time setting the stage for the characters and events that will take place in the second half of the book.  But I persevered, and I’m glad I did.

By the way, going back to my first sentence above, I’m not going to tell you anything about what happens in this book, because I’m assuming you already know.

Arkansas

It seems appropriate that Shaft posted about Tony Earley’s Jim the Boy on Monday.  Tony Earley writes about changing times in the small town South.  Many of us in the South can relate to the characters in Earley’s work based upon our parents’ or grandparents’ experiences and stories.  It’s nostalgic writing about a romanticized, pastoral South.  John Brandon’s Arkansas is the flip side of that coin.

The characters in Arkansas are from small towns and they are going nowhere.  They have no opportunities, they have poor educations, they are broke, but mostly they are just bored.  Boredom, poverty, and a lack of opportunity are often recipes for crime and drugs. Arkansas tells the story of two likeable-ish losers who stumble into a life of lower-tier criminality because they don’t have anything better to do.  Things go well for the pair, they are set up with a good situation with cover as employees at an Arkansas State Park, with free accomodations. One even lands a girlfriend.  Of course, crime doesn’t pay, and a freak incident leads to the wheels coming off their simple life of hopes and dreams.

Brandon lays out the construction of a mid-level crime syndicate in such detail that I feel, should my current employment situation not pan out, that I have sufficient information to start my own.  How the author came to acquire this kind of knowledge, I can’t say.  It’s the question that I’d ask were I to see him read anytime soon.  The author is from the Florida Panhandle, so his descriptions of small town boredom and desperation are pretty spot on.

I came to read Arkansas after seeing Brandon read 1 1/2 times locally.  The 1/2 occured when Brandon was part of a McSweeney’s event at Criminal Records/Aurora Coffee.  Unfortunately, I had to bail just as Brandon began his reading.  A few months later, Brandon was back in town at Wordsmiths, and I was able to stick around.  I am fairly confident that I would not have read Arkansas had I not seen the author read.  Attention publishers:  the system works – send us your authors!

I ought to just bite the bullet and sign up for McSweeney’s Book Release Club – 10 hard cover books/$100.  It’s not like they put out crappy books.

Chasing Jonah at Wordsmiths on Sunday, July 13!

Chasing Jonah is the stage name of award winning singer-songwriter Ashley Dudukovich, from Orlando, Florida.

She will be playing a FREE show at Wordsmiths Books in Decatur on Sunday, July 13, at 4:00 pm (thanks to the fine folks at Wordsmiths for arranging the show).  Bring the family and enjoy a fantastic set of original music from a gifted young talent.  You can hear some of her songs and see her music video on her MySpace page.

Hang Ten with Kindle

NPR asks the question: can you – or would you even consider – taking your $399 Kindle e-book reader to the pool or beach?

Speaking of e-books, The Penguin blog has a refreshing take for a publisher – they have no idea where this e-book thing is headed:

The eBooks are Coming!!! This is, of course, a tremendously exciting time – we might be at the brink of a revolution in the way that we distribute books and the way that people access books. But the key word is ‘might’ – the really exciting thing is that no-one really knows how things will turn out. Ebooks might change our world … but they might not.

Nick Hornby weighs in:

There is currently much consternation in the book industry about the future of the conventional book, but my suspicion is that it will prove to be more tenacious than the CD, for the following reasons:

1)    Book readers like books, whereas music fans never had much affection for CDs. Vinyl yes, CDs no. They are too small for interesting cover art and legible lyrics, the cases break easily, and despite all promises to the contrary, they are extremely easy to break and scratch. Books have remained consistently lovable for several hundred years now. For readers, a wall lined with books is as attractive as any art we could afford to put up there.
2)    E-book readers have a couple of disadvantages, when compared to mp3 players.  The first is that, when we bought our iPods, we already owned the music to put on it; none of us own e-books, however. The second is that so far, Apple is uninterested in designing an e-book reader, which means that they don’t look very cool.
3)    We don’t buy many books – seven per person per year, a couple of which, we must assume, are presents for other people. Three paperbacks bought in a three-for-two offer – expenditure, fourteen pounds approx – will do most of us for months. The advantages of the Iliad and the Kindle – that you can take vast numbers of books away with you – are of no interest to the average book-buyer.
4)    Book-lovers are always late adaptors, and generally suspicious of new technology.
5)    The new capabilities of the iPod will make it harder to sell books anyway. How much reading has been done historically, simply because there is no television available on a bus or a train or a sun-lounger? But that’s no longer true. You could watch a whole series of the Sopranos by the pool on your iPod touchscreen, if you want.  Reading is going to take a hit from this.

Storycasting

If you’ve ever begun to cast the “movie version” in your mind as you reading a book, you way want to check out Storycasting to see how your dream cast matches up with other contributors.  Surely you can cast someone better than Jake Gyllenhaall as Holden Caufield or Tom Cruise as Gatsby.

Jim the Boy

After reading Dr. J’s review of Tony Earley’s The Blue Star, I decided to investigate Mr. Earley’s work.  My inquiry revealed that Jim the Boy came before The Blue Star, so I thought I’d start with it.  Quasi-spoiler alert:  You can bet the farm I’ll be checking out The Blue Star forthwith.

The book tells the story of Jim Glass, a ten year-old boy living during the Great Depression in rural Aliceville, North Carolina.  The story spans about a year in his life and tells of his fears, desires, curiousities, motivations, and other feelings as he begins a new school year with children from the mysterious Lynn’s Mountain (sort of the other side of the tracks), lives life with his mother and three uncles (his father passed away a week before Jim was born), and explores some people and places that are completely new to him.  Earley’s ability to write with simplicity but with such depth, particularly as he goes inside the mind of a ten year-old boy and tells the story in the third-person, is flat-out remarkable.  Sample quotes from the book, to give you a feel for his writing style:

He leaned over so that the warm wind whistling in through the open window blew directly into his face.  When he closed one eye, the black line along the edge of the state highway disappeared into the front fender of the truck, as if the tire inside were coiling it up like a rope.  When he stuck his head out of the window and looked back, he saw the line unrolling neatly behind them, marking the way they had come.  They would be able to find their way home.

and

The oak tree he stood beneath seemed to mark the exact center of the empty fields; the blue bowl of the sky balanced directly above it, which made the place seem important, even though nothing in the landscape, save the tree itself, suggested import.

and

[Jim] had heard every story his mother and uncles had to tell about his father so many times that over the years his father had become less vivid.  It was as if each story was a favorite shirt that had been worn and washed and hung in the sun so often that its fabric, while soft and smooth and comfortable, was faded to where its color was only a shadow of what it had once been.

and

He tugged at his beard as if pulling on it opened a door that let his thoughts out.

I could go on and on, but I won’t — I’ll let you see for yourself by reading the book.  I loved this book.  And I’ll confess that this book doesn’t have a clear defined ending.  But unlike some other books which frustrate me because they don’t have a true denouement, where everything gets wrapped up in a neat little package at the end except for the questions that are supposed to remain open, this book doesn’t fall short in any way, either.  Jim turns eleven, and it is clear that many more thoughts and adventures will occupy him in the future, and I absolutely want to be there for them.

(You can read Tim’s review of Jim the Boy and The Blue Star here: ed.)

Celebrate Your Independents

As we take time out to celebrate our national independence this week, Criminal Records (with their sweet new web site) invites us all to take the following pledge during National Independents Week:

Repeat after Criminal Records.

“I hereby take the pledge to buy locally during National Independents Week, June 30 through July 6, to help celebrate the diversity and vibrancy that makes me proud to call Atlanta home.”

Don’t you feel better already?!

Criminal has a list of reasons why shopping with your local mom and pops’ is the best choice for building strong communities. Support your local retailers and restaurants!  Yes we can!

We Can’t Handle It

I’ve noticed an interesting but I suppose not surprising trend.  Here’s what I’ve got:

Exhibit A:

In the US, the new Richard K. Morgan book is called Thirteen.   In the UK, the book is titled Black Man.  (In the UK they also drop the middle initial, but that does not appear to be relevant.) It’s the same book between the covers.

Exhibit B:

Lawrence Hill’s latest novel is called The Book of Negroes in his native Canada, but it is saddled with the much more prosaic Someone Knows My Name in the US.  The same story is told between the covers.

Exhibit C:

This one is a little more subtle, but the same underlying principle seems to be at work. Can you guess which book cover for Zadie Smith’s On Beauty was used in the UK & Canada and which was used in the US?

If you guessed that non-Michael Jordan African-American silhouettes are forbidden in the US, you are correct.

Conclusions:

The message from US publishers seems to be, “Yes, you may be well on your way to electing a black man President, but we have to trick you into reading prize-winning books that might feature black people. We apologize for any discomfort that you might experience.”

The Kids Are Alright

Lain Shakespeare and the Wren’s Nest are featured in this month’s Paste magazine.  Check it out.   It’s a fascinating article about the complex issues surrounding the Atlanta home/museum of Joel Chandler Harris, author of the Uncle Remus stories.  Also worth checking out: the Wren’s Nest blog regularly posts thoughful pieces about the author’ complicated legacy, race, and life in Atlanta’s diverse West End.  The Wren’s Nest Publishing Company is also hard at work on their second annual publication of high school students’ literary work which is assembled in their summer publishing/workshop camp.   Mr. Shakespeare, Executive Director of the Nest, is 25, and the house/museum was on the verge of disaster when he took over.  Apparently no one bothered to tell him that he can’t do all of these things at his age.   Let’s keep it a secret.

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