Joseph Skibell’s 1997 novel, A Blessing on the Moon, is an allegorical tale of spiritual and religious rediscovery as experience by a Polish Jew who is murdered by the Nazis early in World War II. The book opens with Chaim Skibelski (a historic person; Skibell is his grandson) standing before an open pit with the other Jews from his town. German soldiers stand behind them and mow them down, one-by-one. Skibelski feels something at the back of his head and falls into the pit. He is still aware, though, and, in a panic, clambers out of the pit and runs back toward the town.

Blessing on the moon cover

Chaim is, of course, dead, but he does not realize this at first. The book is the story of his life after death and the disappearance of the moon.

The plot covers 50 years, although much of that time is elided because Chaim no longer has a sense of time. He still feels, though, both physically and emotionally, and his body in death retains its wounds. He can see himself and can interact with the living world, although only the occasional living person–a drunken man and, more importantly, a tubercular girl–can see him. He goes through a variety of experiences, first with the dying girl, and then with her family and others in the town, before starting on a long march with the other Holocaust victims from his town. Chaim’s journey, of course, is allegorical, and parallels the development of Jewish spirituality in the shadow of the Holocaust.

The book is well written and poetic with dashes of humor. I’m not normally one to read books that deal with the supernatural, but I finished A Blessing on the Moon easily.

(Disclosure: Joseph Skibell teaches creative writing in the English Department at Emory University, where I work.)

(Mea Culpa:  I did something this morning to cause Herman’s post to disappear.  My bad.  Many apologies, Herman: ed.)